德国电影女演员、歌手及作家，生于德国乌尔姆。海蒂嘉德·纳福于1942年在乌发电影公司开始了电影生涯。第二次世界大战来临，她女扮男装追随情人上前线，结果双双被俘，她只身脱逃，再也没见到自已的同伴。

战后，海蒂嘉德在影片《凶手就在我们中间》（1946，民主德国）和《无标题电影》（1947）中担任主角，成为德国战后电影中表演最细腻的女演员之一，后一部影片使她获得1948年洛迦诺国际电影节最佳女主角奖。让海蒂嘉德取得最大成就的影片是1951年拍摄的《女罪人》。

海蒂嘉德在美国百老汇舞台上演出的《长丝袜》也获得成功。她后回到联邦德国，加盟重新建立的乌发影片公司，继续演艺事业。后来她参加了一些重拍片和社会问题片的演出，1975年参演的社会批判影片《每个人只为自己死》使她获得1976年卡罗维发利国际电影节的最佳女主角奖。

Carroll was born in Weedon Bec, Northamptonshire, to William and Catherine Carroll. His Roman Catholic parents named him after then-Pope Leo XIII. In 1897, his family lived in York, where his Irish-born father was a foreman in an ordnance store. In the 1901 Census for West Ham, Essex, his occupation is listed as "wine trade clerk". In the 1911 census, he is living at the same address and described as a "dramatic agent".

Carroll made his stage debut in 1912. His acting career was on hold during the First World War, when he served in the British Army. He then performed in London and on Broadway in New York. In 1933, he was a member of the Manhattan Theatre Repertory Company in the inaugural season of the Ogunquit Playhouse in Ogunquit, Maine.

During 1933-34 Carroll had an important role in a successful Broadway play, The Green Bay Tree (which has no relation to the novel by Louis Bromfield apart from the shared title), and in 1941 starred with Vincent Price and Judith Evelyn in Patrick Hamilton's Angel Street (better known as Gas Light), which ran for three years at the Golden Theatre on West 45th Street in New York City. After the production closed, he starred in the title role in J. P. Marquand's The Late George Apley.

爱娃.嘉德纳（Ava Gardner）1922年12月24日生于美国北卡罗莱纳，1990年1月25日在英国伦敦去世。一生有过三次婚姻，与弗兰克辛纳特纳的婚姻令她刻骨铭心，他们有着近十年的婚姻，辛纳特纳是美国历史是很有争议的人物，曾经是肯尼迪总统的座上客，也曾经与黑社会有着千丝万缕的联系，不过到了今天辛纳特纳已经完全被美国人所接受，是一位功成名就的老艺人，前不久他还受到总统的嘉奖。但当时他们虽然相爱的婚姻却并不美演，甚至充满了暴力，1957年艾娃在与辛纳特纳离婚，那时她35岁，从此再也没有结过婚。漂亮的面孔有时会为事业的成功提供便利。艾娃·嘉德纳就具备了这样的漂亮面孔。她步入影坛纯属偶然，米高梅公司的选角部门发现了她的一张照片，从此银幕上便多了一颗璀璨的明星。在四五十年代，尽管好莱坞女星众多，但艾娃仍然以独有的气质及异国情调的美成为继丽塔·海华斯之后好莱坞的“性感女神”。

美对于演员固然重要，但专业训练却必不可少。初入影坛，艾娃不可能一鸣惊人，于是米高海公司为她安排了一系列课程：从吐字发音到化妆，从形体体操到礼仪等。艾娃经过了严格培训。此后她便开始了长达40余年的演员生涯。她在饰演了几个配角之后，终于在影片《杀人者》中崭露头角。海明威的作品颇受好莱坞电影的青睐，艾娃成了诠释其作品的首选女主角。继《杀人者》之后，她又主演了《乞力马扎罗的雪》和《太阳照样升起》等改编自海明威作品的影片。在这些影片中，艾娃的女性魁力得以充分展现，特别是当她饰演的女主角周旋在数位男人之间，那勾魂摄魄的异国情调的妖冶不禁令人心荡神摇。因而她被称为“最美丽的动物”。

艾娃出身于一个贫苦的农民家庭。家中的六个孩子无疑给双亲造成了沉重的负担。童年的艾娃生活并不幸福，很少感受到家庭的温暖。但这也造就了她不向命运屈服的性格。她并不因自己缺乏表演经验而气馁，而是顽强地学习戏剧、声乐、化妆等知识。40年代末至50年代，她开始和一些著名影星合作，如格里高利·派克、泰隆·鲍华、克拉克·盖博、詹姆斯·梅森、亨弗莱·鲍嘉、伯特·兰卡斯特等。她塑造了各式各样的人物形象：酒店舞女、伯爵夫人、妓女、边境混血儿等。无论扮演哪一类角色，艾娃总是以她独特的风姿征服观众的心。她的美，融撩人、泼辣和性感于一体，高贵而不粗俗，端庄而不轻佻。爱娃的事业成功，但个人生活极为不幸。她的三位大夫分别是演员米基·鲁尼、音乐家阿蒂·肖和演员弗兰克.辛纳特拉，但他们最终都先后离她而去。离婚的创伤和人们的非议曾使艾娃一度远离好莱坞。后来她重返影坛，开始了事业上的新时期，演技也更加成熟，并依然为影迷所喜爱。

　　格利高里·派克出生在美国加州，他的童年十分动荡，五岁的时候父母离异，派克被送去和祖母一起住。日后他回忆说他童年最快乐的时光就是每周一次和祖母去电影院看电影。上学的时候派克迷上了表演，决定当一名演员。他先加入了纽约的邻家剧场，又在毕业后登上了百老汇的舞台。1942年他在埃默林·威廉的舞台剧《清晨之星》中第一次登场。

　　1943年他进入好莱坞并于次年出演了他的第一部电影《荣誉之日》。同年他的第二部部电影《天路历程》(The Keys To The Kingdom)为他带来了第一次奥斯卡提名。1945年他又出演了希区柯克的影片《爱德华医生》并受到好评，此后陆续以《鹿苑长春》(1946)、《君子协定》(1947)、《晴空血战史》(1949)三部影片接连获得奥斯卡提名，并以《鹿苑长春》一片获得金球奖。这时的他已是片约不断，决定只接拍自己感兴趣的影片。派克身高1.91米，他的大多数时候都扮演着高大，正直严肃，充满着英雄主义的美国绅士，这一形象与他本人的性格十分相近(派克在好莱坞的公益事业上享有崇高的名声)，因此演起来十分自如。而1962年那部最终让他抱得奥斯卡金像奖的《杀死一只知更鸟》中伸张正义，不畏强暴的律师角色，也正是他这一形象发挥的极致。

　　但派克本身并不满足于不断重复自己，他不断地尝试拓宽戏路，使得他演出各种角色都非常深入而逼真，如1961年的经典恐怖片《海角惊魂》。80年代后派克逐渐转向电视剧。他的最后两部电影是1991年的《抢钱世界》和《海角惊魂》的重拍版，他在影片中扮演了一个和当年不同的角色。

　　派克在1968年获得美国电影学院终身成就奖。派克在政治上是一个自由主义者，1967年他曾获杰出人道主义奖，还曾获得自由勋章。在《杀死一只知更鸟》的奥斯卡颁奖仪式上他曾说过："在这部影片中，我投入了我的一切，我46年的生活中所感受和学到的一切，那些关于家庭、父亲和孩子的，还有我对种族主义和司法公正的认识"。他热心参加公共事业，有多个公益事业和影视事业方面的职务。

　　2003年6月12日，派克在洛杉矶的家中去世，享年87岁。

Sunday, November the 20th is the anniversary of Marcel Dalio's death in 1983. It was the end of a serendipitous life. You know him. He was a citizen of the world. Born Israel Moshe Blauschild, in Paris, in 1900, he became a much sought-after character actor. His lovely animated face with its great expressive eyes became familiar across Europe. He appeared in Jean Renoir's idiosyncratic "Rules of the Game" (La règle du jeu (1939)) and "Grand Illusion" (La Grande Illusion (1937)), arguably the greatest of all films. True to his Frenchman's heart, he married the very young, breathtaking beauty Madeleine Lebeau. He worked with von Stroheim and Pierre Chenal. He had it all.

But then the Germans crushed Poland, swept across Belgium and pressed on toward Paris. He waited until the last possible moment and finally, with the sound of artillery clearly audible, with Madeleine, fled in a borrowed car to Orleans and then, in a freight train, to Bordeaux and finally to Portugal. In Lisbon, they bribed a crooked immigration official and were surreptitiously given two visas for Chile. But on arriving in Mexico City, it was discovered the visas were rank forgeries. Facing deportation, Marcel and Madeleine found themselves making application for political asylum with virtually every country in the western hemisphere. Weeks passed until Canada finally issued them temporary visas, and they left for Montreal.

Meanwhile, France had fallen and, in the process of subjugating the country, the Germans had found some publicity stills of Dalio. A series of posters were produced and were then displayed throughout the city with the caption 'a typical Jew' so that citizens could more easily report anyone suspected of unrepentant Jewishness. The madness continued. Entrée des artistes (1938), a popular film, was ordered re-edited so that Dalio's scenes could be deleted and re-shot with another, non-Jewish, actor.

After a short time, friends in the film industry arranged for them to arrive in Ho