IMDb编号:nm1042818
简介:凯斯·哈林(英语:Keith Haring,1958年5月4日-1990年2月16日),美国新波普艺术家,活跃于20世纪80年代。凯斯的作品与传统画作有很大不同,简单直接,往往反复重复几种图案,内容常常是卡通式的。婴儿、狗、飞碟、电视和图形经常出现于他的画中。由于是一位同性恋者,他一般不画女性。画中的颜色最初为三原色,后来虽有增加但仍为基本颜色。凯斯最早是街头涂鸦画家,电线杆、水泥柱、广告牌、指示牌都成为他作画的画布,而画笔则从铅笔到喷漆罐、刷子都有,随处拈来。他的雕塑也多种多样,从纸糊到玻璃纤维都有。另外,他还设计了大量海报。表演艺术亦是他涉足的领域。
1958年5月4日凯斯·艾伦·哈林出生于宾夕法尼亚州雷丁市的一家社区医院,当时父亲艾伦正于日本服役。10个月后父亲回国,在加州居住了16个月,在凯斯3岁时他们回到宾州。艾伦擅长画卡通,基思小时候他教他画线和圆圈。凯斯小时后就喜欢搜集卡通,6岁时作过《小丑》这样的蜡笔画。他喜欢画狗,11岁就能在父亲指导下拼装音响。他还能在离自己家四条街道的祖母家接触到《生活》、《展望》等杂志。12岁时,小哈林开始画一些宗教符号。他短暂的参加过童军,15岁时开始接触毒品。凯斯有3个妹妹,大的两个都与他十分疏远,只有小妹与他亲近。
凯斯在19岁时搬至纽约市居住,并于纽约视觉艺术学院就学,作品带有浓厚的波普艺术风格;他最早期的作品约于1980年创作,当时他在纽约地铁的车站中,寻找黑色的海报待贴处,使用白色粉笔涂鸦,多为粗轮廓线,单色、空心的抽象人物、动物等图案,他的作品经常犹如某种复杂花纹,伴随各式图案充满整个构图,往往没有透视或写实的肌理,但具有许多象征性的情境,如吠叫的狗,跪趴着的小人等。
短期之内,凯斯·哈林的作品就在纽约艺术界传开名声,1983年美国哥伦比亚电视台采访他在地铁站涂鸦,以及被逮捕的现场状况,使得他一夕间家喻户晓,随后在不断的展览与创作下,以涂鸦画家之姿进入了博物馆,作品价钱水涨船高。根据美国《新闻周刊》的报导,在1984年,凯斯·哈林的一张画作“戴鳄鱼面具的狗”可叫价至美金两万元,除此之外,他还受邀进行许多博物馆的行动绘画创作。1985年,法国国立当代美术馆及荷兰国立美术馆为他举办了专题展。1986年,他在纽约苏活区开了一家贩卖自己作品的杂货店,名为“Pop Shop”。
1988年,他发现自己罹患艾滋病,凯斯开始积极地以作品提醒青年人安全性行为,以及防止AIDS蔓延的宣传的活动中;1989年,凯斯·哈林基金会成立,主要目的在于AIDS治疗的研究项目和促进儿童福利规划的规划项目。1990年凯斯因艾滋病并发症于纽约病逝,年仅31岁。他的画作成为20世纪醒目的视觉艺术代表之一。
IMDb编号:nm0320091
简介:"Irwin Allen Ginsberg (pronounced /ˈɡɪnzbərɡ/; June 3, 1926 – April 5, 1997) was an American poet who vigorously opposed militarism, materialism and sexual repression. In the 1950s, Ginsberg was a leading figure of the Beat Generation, an anarchic group of young men and women who joined poetry, song, sex, wine and illicit drugs with passionate political ideas that championed personal freedoms.[1] Ginsberg's epic poem \"Howl\", in which he celebrates his fellow \"angel-headed hipsters\" and excoriates what he saw as the destructive forces of capitalism and conformity in the United States, is one of the classic poems of the Beat Generation [2] The poem, dedicated to writer Carl Solomon, has the opening:\r\nI saw the best minds of my generation destroyed by\r\nmadness, starving hysterical naked,\r\ndragging themselves through the negro streets at dawn\r\nlooking for an angry fix...[3]\r\nIn October 1955, Ginsberg and five other unknown poets gave a free reading at an experimental art gallery in San Francisco. Ginsberg's \"Howl\" electrified the audience. According to fellow poet Michael McClure, it was clear \"that a barrier had been broken, that a human voice and body had been hurled against the harsh wall of America and its supporting armies and navies and academies and institutions and ownership systems and power support bases.\"[4] In 1957, \"Howl\" attracted widespread publicity when it became the subject of an obscenity trial in which a San Francisco prosecutor argued it contained \"filthy, vulgar, obscene, and disgusting language.\" The poem seemed especially outrageous in 1950s America because it depicted both heterosexual and homosexual sex[5] at a time when sodomy laws made homosexual acts a crime in every U.S. state. \"Howl\" reflected Ginsberg's own bisexuality and his homosexual relationships with a number of men, including Peter Orlovsky, his lifelong partner.[6] Judge Clayton W. Horn ruled that \"Howl\" was not obscene, adding, \"Would there be any freedom of press or speech if one must reduce his vocabulary to vapid innocuous euphemisms?\"[7]\r\nIn \"Howl\" and in his other poetry, Ginsberg drew inspiration from the epic, free verse style of the 19th century American poet Walt Whitman. Both wrote passionately about the promise (and betrayal) of American democracy; the central importance of erotic experience; and the spiritual quest for the truth of everyday existence.[8] J. D. McClatchy, editor of the Yale Review called Ginsberg \"the best-known American poet of his generation, as much a social force as a literary phenomenon.\" McClatchy added that Ginsberg, like Whitman, \"was a bard in the old manner – outsized, darkly prophetic, part exuberance, part prayer, part rant. His work is finally a history of our era's psyche, with all its contradictory urges.\"[9]\r\nGinsberg was a practicing Buddhist who studied Eastern religious disciplines extensively. One of his most influential teachers was the Tibetan Buddhist, the Venerable Chögyam Trungpa, founder of the Naropa Institute, now Naropa University at Boulder, Colorado.[10] At Trungpa's urging, Ginsberg and poet Anne Waldman started a poetry school there in 1974 which they called the \"Jack Kerouac School of Disembodied Poetics\".[11] In spite of his attraction to Eastern religions, the journalist Jane Kramer argues that Ginsberg, like Whitman, adhered to an \"American brand of mysticism\" that was, in her words, \"rooted in humanism and in a romantic and visionary ideal of harmony among men.\"[12] Ginsberg's political activism was consistent with his religious beliefs. He took part in decades of non-violent political protest against everything from the Vietnam War to the War on Drugs.[13] The literary critic, Helen Vendler, described Ginsberg as \"tirelessly persistent in protesting censorship, imperial politics, and persecution of the powerless.\"[14] His achievements as a writer as well as his notoriety as an activist gained him honors from established institutions. Ginsberg's book of poems, The Fall of America, won the National Book Award for poetry in 1974. Other honors included the National Arts Club gold medal and his induction into the American Academy and Institute of Arts and Letters, both in 1979.[15] In 1995, Ginsberg won a Pulitzer Prize for his book, Cosmopolitan Greetings: Poems 1986–1992.[16]"
IMDb编号:nm0469594
简介:拉里·克莱默(Larry Kramer)是一名美国编剧、作家和LGBT权益活动家。他曾因《恋爱中的女人》获奥斯卡最佳剧本提名。他亲身经历目睹了1980年代的艾滋危机并成为了一名重要的政治活动家。1985年,他创作了戏剧《平常的心》。他创立了 Gay Men's Health Crisis (GMHC)和AIDS Coalition to Unleash Power (ACT UP)。1988年,他确诊为HIV阳性。2013年,他与伴侣David Webster结婚。他们曾经在1970年代交往,在对方离开他后极度抑郁的他创作了小说《Faggots》。他们在1991年复合并交往至今。当被记者问起他们20年后的重聚时,David Webster回答,“他成长了,我也成长了。”