死亡课程 Umarła klasa
死亡课程 Umarła klasa-导演: 安杰伊·瓦伊达, Tadeusz Kantor
死亡课程 Umarła klasa-编剧:
死亡课程 Umarła klasa-主演:
死亡课程 Umarła klasa-电影类型: 剧情片电影
死亡课程 Umarła klasa-发布日期: 1977, 2006-10-01(德国)
《死亡课程 Umarła klasa》于1977, 2006-10-01(德国)上映。是由安杰伊·瓦伊达, Tadeusz Kantor执导的《死亡课程 Umarła klasa》是一部剧情类型电影。
[ IMDB评论 ]
I enjoyed Dead class very much, They told me Wajda was disappointed by his own work but I don't know why. Maybe is acting too loud? Maybe acting was supposed to be more mechanical, actors more unrelated between them, but I think that's an impressive performance all the same. Culture is useless, children are dead, they are already lonely adults, adults are ex- childre...
[ IMDB评论 ]
I enjoyed Dead class very much, They told me Wajda was disappointed by his own work but I don't know why. Maybe is acting too loud? Maybe acting was supposed to be more mechanical, actors more unrelated between them, but I think that's an impressive performance all the same. Culture is useless, children are dead, they are already lonely adults, adults are ex- childre...
网友影评
更多评论荒诞戏剧看时只能跟着flow走了，偏吵，人偶和舞台发声装置还有一个死神很喜欢。拍话剧如何动用电影语言工具值得参考：对光线的强调、片头片尾的设计，特写选择、镜头调度、在瓦伊达提议下加入外景、话剧导演和观众入画
3.8
无法逃离的circling walk，康铎将他们那一代圈定在一个无止尽的创伤循环之中，人化的玩偶和僵直化的演员之间的关系指向死去的现在和已逝的过去，这些时间不过都是短暂地被人为地附上了生命的意义而已。个体化的身份认知由所带物显现出来，而他们也一起构建出了集体的创伤记忆。值得探究的是康铎本人在此中的呈现，他一方面是被观众注视的剧中人，一方面又是注视舞台的旁观者，这双重视角的转换强调了他个人与舞台的联系，作者化的语言被无声地传达了出来。