马格达勒纳维拉加 Magdalena Viraga
马格达勒纳维拉加 Magdalena Viraga-导演: 尼娜 门克斯 (Nina Menkes)
马格达勒纳维拉加 Magdalena Viraga-编剧:
马格达勒纳维拉加 Magdalena Viraga-主演:
马格达勒纳维拉加 Magdalena Viraga-电影类型:
马格达勒纳维拉加 Magdalena Viraga-发布日期: 1987-09-17
《马格达勒纳维拉加 Magdalena Viraga》于1987-09-17上映。是由尼娜 门克斯 (Nina Menkes)执导的《马格达勒纳维拉加 Magdalena Viraga》电影。
Menkes’ spellbinding, formally inventive first feature follows detached sex worker Ida (Tinka Menkes) through the bars, flophouses and swimming pools of East Los Angeles as she moves inextricably towards an unexpected spiritual awakening. Blending poetry by Anne Sexton, Mary Daly and Gertrude Stein, with allusions to Catholicism and mediaeval witch hunts, this stylish and slow-...
Menkes’ spellbinding, formally inventive first feature follows detached sex worker Ida (Tinka Menkes) through the bars, flophouses and swimming pools of East Los Angeles as she moves inextricably towards an unexpected spiritual awakening. Blending poetry by Anne Sexton, Mary Daly and Gertrude Stein, with allusions to Catholicism and mediaeval witch hunts, this stylish and slow-...
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更多评论“I am never angry enough to die; I am angry enough to kill”/ Feminist depression/ The representation of gender is the construction of gender. / Perception is fatal(Witman)./ Guilty of being female
#BFI #CinematicSorceressTheFilmsofNinaMenkes 长评-我的身体，我的房间。很强女性主义表达，对比《让娜迪尔曼》形式上更加先锋并且舞台剧感非常强，尤其台词如舞台剧的独白！女性在片中可被看做一个整体，情节感觉是对圣经的解构，女主在影片中是被圣化成了弥赛亚，所有嫖客名字皆为John似乎影射男群体（医院中男性未知身份病人将被称为John Doe），男性借由性给她带来苦难，她最后也身死达成“启迪”女性的作用。几场非常重要戏非线性的展示时带来的宿命感非常强，某种程度上还剥离了时间属性，结合重复的台词，无序中得到一个空间上极其压抑的阐述。大量的固定镜头和摇镜头，结合特写做情绪传递，室外也是那仅有的“自由”，在那后她救赎了一切！现场收音效果拔群，音画分离非常喜欢。
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