正观“红色” Seeing Red
《正观“红色” Seeing Red》是由吉姆·克莱恩, 朱莉娅·赖克特执导的《正观“红色” Seeing Red》是一部纪录片, 历史类型电影。
Julia Reichert and Jim Klein (who were also responsible for UNION MAIDS - spotting a theme yet?) made this doco in 1983, fortunately in enough time to snag interviews with a number of senior citizens who were right in the thick of it way back when the communist party established itself in the U.S. SEEING RED takes us through the trials and tribulations of the party through the...
Julia Reichert and Jim Klein (who were also responsible for UNION MAIDS - spotting a theme yet?) made this doco in 1983, fortunately in enough time to snag interviews with a number of senior citizens who were right in the thick of it way back when the communist party established itself in the U.S. SEEING RED takes us through the trials and tribulations of the party through the...
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更多评论太幸运，到场才知道导演正是《美國工廠》的导演，还来现场进行了q&a。说到曹德旺完全知道她是一个拍很多社会运动的导演，也给了她完全的自由在福耀进行拍摄，看完成品之后也很淡定，没有任何批评和干涉，还说要给员工都看。非常的interesting。导演另一部电影The Last Truck讲的是福耀接手的通用工厂倒闭的故事，简直迫不及待想看了。这部讲美共的纪录片，1983年，不输2019的《美国工厂》了
3.5 历史的部分非常弱。几乎到冷战就截止了，而且历史线的叙述很凌乱，导致主线不明显。对美共的讨论，包括对“共产主义”这个概念的讨论仍然是集中体现于fordism的劳工以及对工作的需求。美国的共产主义运动兴起于大萧条，其实这群人类似于中国的下岗工人。整个纪录片对于“现象”和“观点”的描述大于对美国共产党运动的反思。同时表述仍然集中于“人权”表达，比如美国对共产党迫害。中方心思和现在美国左派的一些“人权”表达无异议。只是对象变成了“美国共产党”。总体而言有意义，采访很详尽。QA导演一直在说对美共的threat在哪，我心想有什么threat你没逼数吗？包括这部片子本身对冷战前后美苏关系也是暧昧，六十年代的中国和越南以及北朝鲜更是完全没提及……
Jun 5, 2019 @MoMA