印象派画家 Le peintre néo-impressionniste
《印象派画家 Le peintre néo-impressionniste》于1910上映。是由Émile Cohl执导的《印象派画家 Le peintre néo-impressionniste》是一部动画, 短片类型电影。
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印象派与后印象派 名画艺术 Landmarks of Western Art: Impressionism & Post-Impressionism 类型:纪录片电影 简介: Never was a world so completely turned upside down as with the arrival of the Impressionist School. Cezanne, Seurat and Manet all produced inspirational and at the time even controversial works which completely revolutionized thinking in the world of art. -
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印象派简史 The Impressionists 导演:Tim Dunn 编剧:科林·斯沃什, 萨拉·伍兹 类型:剧情片电影 简介: The Impressionists, a three part factual drama for BBC ONE, vividly reconstructs the movement's remarkable story.
Based on archive letters, records and interviews from the time, the series records the lives of the artists who were to transform the art world.
It is a tale of poverty and of a struggle for recognition, set against a backdrop of war and revolution.
But at the heart... -
印象派 绘画与革命 The Impressionists - Painting and Revolution 导演:Susan Doyon 编剧:瓦尔德马·雅努茨扎克 类型:纪录片电影, 历史片电影 简介: Gang of Four
Episode 1 of 4
Duration: 1 hour
Art writer Waldemar Januszczak explores the revolutionary achievements of the Impressionists. In the first episode, Waldemar delves into the back stories of four of the most influential Impressionists - Pissarro, Monet, Renoir and Bazille - who together laid the foundations of the artistic movement. He finds out what social and cultu... -
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当印象派发现日本 Quand les impressionnistes découvrent le Japon 导演:Jérôme Lambert, Philippe Picard 编剧:Jérôme Lambert, Philippe Picard 类型:纪录片电影 简介: Retour sur la mode du japonisme qui influença les avant-gardes européennes dans la seconde moitié du XIXe siècle : Manet, Monet, Degas, Van Gogh ou Whistler...
Avec l’entrée de la flotte américaine dans la baie de Tokyo en 1853, dans un Japon fermé aux navires étrangers depuis deux siècles, l’Occident découvre l’art nippon, ses estampes et son raffinement. À l’aube de l’ère Mei... -
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Rhythm in Light 导演:Mary Ellen Bute / Ted Nemeth, Melville Webber 类型:短片电影 发布日期: 简介: Using light-splitting prisms, cellophane, sparklers, and ping-pong balls, the film attempts to represent what happens in the mind when listening to Grieg's score for the play Peer Gynt. The circular dance of shapes and lights drowned in darkness is structurally and rhythmically linked to the musical composition, their relationship anchored by a mathematical formula.