希德什瓦里 Siddeshwari
《希德什瓦里 Siddeshwari》于1989上映。是由Mani Kaul执导, 由马尼·考尔担任主编的《希德什瓦里 Siddeshwari》是一部纪录片类型电影。
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还等什么？弗里德里希·古尔达：一个肖像！ So What?! - Friedrich Gulda: A portrait 导演:Fridemann Leipold, Benedict Mirow 类型:纪录片电影, 音乐片电影 简介: So What?!(2002) - A film by Benedict Mirow and Fridemann Leipold
Solo Flight(1981) - A concert film with works by Bach, Shubert, Debussy, and Gulda
Mozart/Gulda - Sarastro's aria "In diesen heil'gen Hallen" from Die Zauberflote
Bach - Prelude and Fugue in C sharp minor BWV 849
Foderl/Marischka/Gulda - Die Reblaus
Interview with Joachim Kaiser(1986) -
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帕里什 Parish 编剧:Amadou Diallo, 丹尼尔·布罗克赫斯特, 苏努·戈内拉 类型:剧情片电影 简介: Based on the Hit U.K. Series The Driver, Esposito stars as Gracian “Gray” Parish, a family man and proud owner of a luxury car service in New Orleans. After his son is violently murdered and his business collapses, an encounter with an old friend from his days as a wheelman resurfaces old habits, sending Gray on a high-stakes collision course with a violent criminal syndicate. -
沙希德 Shahid 导演:纳格斯·卡尔霍尔 编剧:Aydin Alinejadsomeeh, 纳格斯·卡尔霍尔 类型:剧情片电影, 喜剧片电影, 歌舞片电影, 传记片电影 简介: Iranian filmmaker Narges Kalhor wants to remove “Shahid”–a name passed down from a great-grandparent, meaning “martyr”–from her surname. She hires an actress to perform in the film of this process, but there are obstacles at every turn: she is haunted by her great-grandfather, the German bureaucracy is impossible, and the actors revolt. An exuberant and highly unconventional po...
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印度女人的历史素描 A Historical Sketch of Indian Women 导演:Mani Kaul 发布日期:1975 简介: Mani Kaul's superior documentary on the plight of Indian women made at the height of the emergency in 1975. Kaul refused to sign the film after Indira Gandhi asked him to make same changes. This one is the 'state appropriated' version with the rather irritating voiceover.
Here's the avi rip of the Mani Kaul film that Indira Gandhi asked Mani Kaul to make changes to at the heigh... -
From the Notebook of... 导演:Robert Beavers 发布日期:1998 简介: “From the Notebook of … was shot in Florence and takes as its point of departure Leonardo da Vinci’s notebooks and Paul Valéry’s essay on da Vinci’s process. These two elements suggest an implicit comparison between the treatment of space in Renaissance art and the moving image. The film marks a critical development in the artist’s work in that he repeatedly employs a series of... -
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